Nyaa archive 2018915
Demon Slayer： Kimetsu no Yaiba Infinity Castle Trailer [Prores 4444 1080p FLAC 5.1 DCP Rip].mkv
Saved on 2026-09-19 07:48:07. This copy includes the description and comments available at capture.
Description
This isn't the movie. It's just the trailer
Unique ID : 194989162295722983686698640699497878804 (0x92B18BF13AF1DD9D121174960F8B9514)
Complete name : Demon Slayer： Kimetsu no Yaiba Infinity Castle Trailer [Prores 4444 1080p FLAC 5.1 DCP Rip].mkv
Format : Matroska
Format version : Version 4
File size : 2.37 GiB
Duration : 1 min 30 s
Overall bit rate mode : Variable
Overall bit rate : 225 Mb/s
Frame rate : 24.000 FPS
Encoded date : 2025-09-13 09:00:27 UTC
Writing application : mkvmerge v93.0 ('Goblu') 64-bit
Writing library : libebml v1.4.5 + libmatroska v1.7.1
Attachments : FUNIMITATION.TTF
Video
ID : 1
Format : ProRes
Codec ID : V_PRORES
Duration : 1 min 30 s
Bit rate : 224 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 24.000 FPS
Bits/(Pixel*Frame) : 4.504
Stream size : 2.36 GiB (99%)
Default : Yes
Forced : No
Audio
ID : 2
Format : FLAC
Format/Info : Free Lossless Audio Codec
Codec ID : A_FLAC
Duration : 1 min 30 s
Bit rate mode : Variable
Bit rate : 1 162 kb/s
Channel(s) : 6 channels
Channel layout : L R C LFE Ls Rs
Sampling rate : 48.0 kHz
Frame rate : 11.724 FPS (4094 SPF)
Bit depth : 16 bits
Compression mode : Lossless
Stream size : 12.5 MiB (0%)
Title : FLAC 5.1
Writing library : libFLAC 1.5.0 (2025-02-11)
Language : Japanese
Default : Yes
Forced : No
MD5 of the unencoded content : C3A8EE3C5CADB489BE4018C313B4EDF7
Text
ID : 3
Format : ASS
Codec ID : S_TEXT/ASS
Codec ID/Info : Advanced Sub Station Alpha
Duration : 1 min 10 s
Bit rate : 38 b/s
Frame rate : 0.100 FPS
Count of elements : 7
Compression mode : Lossless
Stream size : 341 Bytes (0%)
Language : English
Default : Yes
Forced : No
Now in cinemas!
Comments 10
Guys read the title well, it is not a movie.
damn 2 gigs for a trailer??
you had me for a second
225 Mb/s bitrate?? are you trolling?
Mods rape this guys sister and mother in front of him then cut his head off in front of his father
The entire movie can be done in this much space...
ProRes 4444: A professional video codec used in film production. It has very low compression, preserving maximum color detail and image quality.
FLAC 5.1: Lossless audio in 5.1 surround sound, meaning no quality is lost and you get high-fidelity multi-channel audio.
DCP Rip: The source is a Digital Cinema Package, which is the format used in movie theaters. This usually means the highest-quality source available for a film.
So in summary: This file is essentially the best version you can get for home viewing—top-quality picture from the cinema source and lossless surround sound. It’s ideal if you want the closest experience to watching the movie in a theater.
@Bablet explained this properly.
Awesome upload here @Anon, these are hard to find.
NOTE: Movies in theaters aren't on reels anymore these days, but on hardrives, and one movie can be close to 300GB in size if not more depending on the resolution, number of channels and other specifics.
The audio part is custom made to match the setup of each theater room so you will often see the audio to not work on normal PCs but if it's properly re-worked this problem will go poof.
Such materials are very dangerous to post online as they can be traced back to the theater they came from because like I said, many components are custom made.
It’s amazing to me that people come on here and post retardation about file sizes without understanding what they are downloading first. Using one’s eyes and basic reading skills - and at worst, copy-pasting unknown terms into Google - would save them from looking like morons.
And yes it’s dangerous to post these because there are usually transparent digital watermarks - unique to each theater that the distributor sends a copy to - embedded in the raw image data, not visible to the human eye but detectable by special industry software
It’s interesting because these packages are typically encrypted and the encryption keypair used is unique to each film and each theater customer. Possibly even each projector system in a theater. Whichever employee pilfered this knew what they were doing and took a huge risk.
This is why you almost never see digital cinema packages up for download like this online even though tons of people would be interested - especially scene encoders who want the best sources possible to work with.
Perhaps this trailer did not have such a water mark nor had special encryption, or the employee who pilfered it was quitting anyway.